Anna Troisi
Composer, performer, and interdisciplinary sound artist
Anna Troisi is a composer, performer and interdisciplinary sound artist working across acoustic composition, environmental listening and computational systems. Her practice explores how sound can create relationships among human, technological and ecological worlds.
Compositions
Currently, I am expanding into acoustic ensemble compositions, experimenting with new textures and techniques that mark an evolution in my artistic expression.
I’m evaluating commissions at this stage, so feel free to reach out.
Performances
As a performer, I have a background collaborating with international artists across Europe and the United States. I have shared the stage Lydia Cavina, Carla Bozulich, Nels Cline, Phil Minton, Thomas Bonvalet (Cheval De Frise), Yann Saboia (Api Uiz), Ricardo Arias, Mazan Kerbaj. I have appeared at major festivals like the Angelica Festival (Bologna), the Trialogo Festival (Fondazione Pistoletto, Biella), and the No Net Festival (Philadelphia)
Installations
I see meaning through the lenses of sounds and interaction. “Norm Contaminated” (2018) is an environmentally themed soundscape commissioned by the Office of Experiments, developed from field recordings at the Wytch Farm oil field in Dorset (UK). In “OB-Scene” (2016), I use biological data in live performance to create intimate, responsive sound environments. Other notable works include “Hyperdrone” (2015), which translates seismic data into resonant acoustic layers, and “Keen-Skin” (2015), an installation that maps neurological data to sound.